How do you spot three Texas musicians amid the chaos of South by Southwest? In a venue riddled with sound techs, promoters, and out-of-towners smack dab in the center of Austin, Texas’s most notorious party street?

Keep an eye out for worn baseball caps, shaggy facial hair, and an easy-going confidence strengthened from years of performing at these kinds of things.

The locals from Blue Healer are at SXSW playing a show just about each day of the week. They even opened for Third Eye Blindfrontman David Beck coolly described it as an “entertaining experience.”

They’re talking to the Daily Dot at the Rooftop bar on Sixth Street about their beginnings, futures, and optimism toward living in a world where we all pay $10 per month for Spotify despite a musician’s dubious posture of needing to make money.

Fans are too busy tending to their hangovers to be here at noon, but festival-goers might distinguish up-and-coming Austin bandBlue Healerby their unconventional upright bassist frontman and an infectious, humor-driven chemistry.

The musicians teamed up last January after their former group Sons of Fatherssuffered a traditional implosion, disbanding the six-piece Americana band in 2014. After being together three and a half years, the group announced an indefinite hiatus on Facebook, constructing the decision to set the brakes on followingdisillusionment with the music business and pressure to compromise morals and their very love for music.

And the dust and the aftermath … and the Big Bang swirled around, Beck says, as drummer Dees Stribling chimes in.

Hoops for America, hoops for life. #bluehealer #bluehealerusa

A photo posted by Blue Healer (@ bluehealerusa) on Mar 1, 2016 at 10:40 am PST

After the fallout, the trio gathered gear and got back to songwritingtheir retro rock colored by distorted upright bass, analog synths, and drums. They cite the classics as their biggest influences, like Bob Dylan and the Beatles.

Stuff my papa would listen to, Beck says.

The band feels good about the fresh start, a new audio. A six-week tour comes after SXSW. Their blueprint is proudly traditionalwrite, record, drive around, play live.

I think part of whats going to make this band genuinely successful is that weve been on the road together before, keyboardist Bryan Mammel says.

But in this online-driven world, whats the point of going on a strenuous tour as an unknown? Wouldn’t it stimulate more sense to pay some college kid to run your social media?

For Blue Healer, it’s simple: When it comes to streaming platforms like SoundCloud, Spotify, and YouTube freely circulating work to prospective fans, connect trumps currency.

Theres still a human element in music, Mammel says. Theres so much to choose from now. And whats going to set you apart from other bands that I like as a fan, theyre the ones that I feel a huge connect with. I think its nearly more important to be out there touring and to be doing those things than perhaps ever before.

Aside from the infinite supplying of free sunglasses and mini-totes, the band says SXSW means invaluable mingling. Sure, record label suits aren’t approaching startup bands with briefcases of money and contracts backstage these daysbut you’d be surprised.

Just this week, a throwaway defined brought luck. Half hungover, Blue Healer played an early prove at a Whole Foods rooftop, taking notice that only some in the thin mob were paying attention. A human approached them after the showhe liked the last song.

He was the co-CEO of Whole Foods.

You say yes to as much as you can and all the things that you might not expect to be a thing might end up being a great connect, Mammel says.

These digital preconditions have also reportedly given rise to monetary loss at the hands of the dominant streaming giants. A reported two-thirds of Spotify users do not own a subscriptionopting for its free, ad-supported tier. With that comes the perpetual customer expectation to river anything, anytime.

But Blue Healer deems this method of listening to music as the product of our timesand they say the pros may very well outweigh the cons.

Maybe theres some revenue lost for artists here and there but at the same day youre also accessible much more quickly without the backing of an entire system, Mammel says.

Besides, Beck adds: If we got into music for making money, wed be shitheads.

The band will release music videos this year, and they hope to release an album by the summer. It’ll probably be streaming on Spotify.

Photo via BlueHealerUSA

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